My monthly list of recommended CDs, as published in All About Jazz-New York, December 2006: Hank Jones/Christian McBride/Jimmy Cobb, West of 5th (Chesky) Rob Reddy’s Gift Horse, A Hundred Jumping Devils (Reddy Music) Wadada Leo Smith & Adam Rudolph, Compassion (Meta) Dan Weiss Trio, Now Yes When (Tone of a Pitch) Wilkerson/Mitchell/Bankhead/Ra, Frequency (Thrill Jockey) Anthony Wilson Nonet, Power of
I remarked on the pope/Islam controversy when it first erupted in September. At the time, a friend directed me to this commentary by a scholar of Byzantine texts. I’m linking to it now that the pope’s trip to Turkey has rekindled the discussion: Contrary to many treatises of anti-Muslim polemics, which we find in Western Christendom as well as in
That’s the theory being bandied about to explain the police killing of Sean Bell last weekend. William Saletan of Slate shreds the argument to pieces: What makes contagious shooting a handy legal defense is its mechanical portrayal of behavior. You’re not choosing to kill; you’re catching a disease. In the Diallo era, the NYPD patrol guide explained that the first
The Jazz Journalists Association critics’ roundup for 2006 is now online. My entry is here. Also, the year-end edition of All About Jazz-New York is in the clubs as well as online. Our special year-end spread is available for download as a pdf. Because I can’t help myself, and because so much excellent music came out in 2006, I thought
Saw “Borat” over the holiday weekend and left the theater physically exhausted from laughter. I’d rebut this annoying anti-Borat column by Joe Queenan (and endorsed by Norm Geras) but I don’t have the time. I’ll just say this: like any comedy that people will actually care about 10 years from now, Sacha Baron Cohen’s work pushes the envelope. Yes, “Borat”
I’ve been under the weather and otherwise unable to blog. And now I’m taking a holiday. Check back in early December for year-in-review comments on music, among other things. Thanks for reading.
In my posts here and here, I took issue with the increasingly popular notion that Saddam Hussein, to coin a phrase, was a uniter not a divider — i.e., that his brutal repression was the only thing that could hold Iraq’s volatile opposing sects together. In this piece for openDemocracy, the Kurdish writer Dlawer Ala’Aldeen rebuts the argument far more
Malachi Ritscher, a denizen of Chicago’s avant-garde jazz scene, committed suicide by self-immolation on November 3. In this suicide note he explained that his intention was to protest the Iraq war. Peter Margasak’s Nov. 7 blog report is worth reading; so is this lengthier comment by Nitsuh Abebe of Pitchfork Media. Many of the comments that follow Margasak’s post take