Soon after watching “A Thousand and One Voices,” Mahmoud Ben Mahmoud’s absorbing if somewhat somber documentary on Sufi music, I came upon this Foreign Policy piece by Ali Eteraz, on Pakistan’s effort to promote Sufism as a counterweight to Talibanism. (Hat tip Adam LeBor.) Eteraz hates the idea: It signals an increase in the politicization of Islam in Pakistan — if
Much is being said, and correctly so, about the right’s subtle and not-so-subtle enabling of armed wackos like James von Brunn. But may I repeat something I noted the other day? Cynthia McKinney, the 2008 presidential candidate of the Green Party, recently appeared on a racist radio program called The Information Underground, and she did not blink when her interviewer
In the current Philadelphia Weekly: Charles FambroughSat., June 13, 7 & 10:30pm. $25 ($20 advance). Philadelphia Clef Club, 738 S. Broad St. 215.893.9912 www.clefclub.org Search for bassist Charles Fambrough on YouTube and you’ll find him with Art Blakey in 1982, holding it down behind Wynton and Branford Marsalis, both fresh-faced and in their early 20s. Fambrough’s deep, bone-shaking tone helped
Chris Rich at Brilliant Corners hails the left-of-center Vision Festival and revels in the collapse of Jazz Times, JVC Jazz Festival, IAJE, lamenting “the Middle Mind mediocrity of NPR fern bar jazz.” To me, this sort of self-righteous, us-versus-them, marginalized-and-proud-of-it blather is as suffocating as any hegemonic corporate jazz I’ve come across. I mean, NPR has stepped up its jazz
I’m on a panel at the Vision Festival this Friday, 5 p.m. Details here. The topic is art and politics. My fellow panelists are William Parker, Roy Campbell, Marc Ribot, Jason Gross, Amir Bey and Kidd Jordan. Moderated by journalist Nathalie Mattheiem. In addition, I’m playing an acoustic duo gig with my good friend Jon Dascal on July 9. Venue:
This month in All About Jazz-New York, reviews of Brad Mehldau’s trio at the Vanguard and Ray Drummond’s duos project at Tribeca PAC. Pianist Bill Mays, one of the Drummond participants, recently shared some video of himself with the late bassist Red Mitchell in the early ’80s. Absolutely captures the feeling of the old Bradley’s, as did Drummond’s show. (More
These two brave American journalists have received a sentence of 12 years in a North Korean concentration camp, for the crime of journalism. This is not properly spoken of as a legal proceeding, as a trial and a sentencing. It is quite simply a kidnapping.
That’s what Youssou N’Dour said near the start of his BAM show on June 6, following a screening of Elizabeth Chai Vasarhelyi’s moving N’Dour documentary, I Bring What I Love. Billed as a one-hour set, it went on longer thanks to the unstoppable energy in the house. There was a brief window of time where one could hear N’Dour but not