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On Helena Espvall/Marcia Bassett
I’m back writing previews for Philadelphia Weekly — this week’s entry below… Helena Espvall/Marcia Bassett Duo Sat., Jan. 7, 8pm. $6. With Fursaxa + Zaïmph. Highwire Gallery, 2040 Frankford Ave. museumfire.com This ongoing series, curated by Fire Museum Records, has become a haven for local and visiting avant-gardists. To kick off 2012, the label welcomes Philly cellist/guitarist/vocalist Helena Espvall, whose music
On Ilhan Ersahin
This review appears in the January 2012 issue of The New York City Jazz Record. — Ilhan Ersahin’s Istanbul Sessions Night Rider (Nublu) By David R. Adler As founder of the club Nublu, tenor saxophonist Ilhan Ersahin has had a notable impact on live music in New York, increasing the creative traffic between jazz improvisers, beatmakers, world music bands and avant-gardists of
On Herculaneum
This review appears in the January 2012 issue of The New York City Jazz Record. — Herculaneum UCHŪ (ind.) By David R. Adler On releases such as Orange Blossom, Herculaneum III and Olives and Orchids, the Chicago sextet Herculaneum fashioned a sound full of urgent, percolating rhythm and well-placed dissonance — a horn-heavy aesthetic with echoes of Blue Note’s ’60s avant-garde
New York @ Night: January 2012
In the January 2012 issue of The New York City Jazz Record: — In a cheerful and loquacious introduction at Bar Next Door (Dec. 4), guitarist Peter Mazza announced his plan for the evening: arrangements of standards, reflecting a passion for rich and intricate harmony. Flanked by Marco Panascia on upright bass and Roggerio Boccato on a scaled-down percussion kit, Mazza
On Michael Feinstein
My feature article on Michael Feinstein, in the December 2011 print issue of JazzTimes, is now online.
Six Picks: January 2012
Happy New Year! To start us off, my monthly list of recommended CDs, as published in The New York City Jazz Record, January 2012: Dan Blake, The Aquarian Suite (BJU) Taylor Ho Bynum Sextet, Apparent Distance (Firehouse 12) Emmet Cohen, In the Element (Bada Beep) Dave Douglas & So Percussion, Bad Mango (Greenleaf) Adam Rudolph’s Go:Organic Orchestra, The Sound of a
Best of 2011
The JJA has started posting Best-Of lists for the year 2011 — my entry here.
Nicholas Payton and “jazz”
Inevitably, a firestorm erupted on Twitter and Facebook after trumpeter Nicholas Payton published this post, titled “On Why Jazz Isn’t Cool Anymore.” And then this follow-up, “An Open Letter To My Dissenters.” In the second post Payton writes, “‘Jazz’ is an oppressive colonialist slave term and I want no parts [sic] of it.” This sounds similar to Fred Ho’s assessment: