In the January 2012 issue of The New York City Jazz Record: — In a cheerful and loquacious introduction at Bar Next Door (Dec. 4), guitarist Peter Mazza announced his plan for the evening: arrangements of standards, reflecting a passion for rich and intricate harmony. Flanked by Marco Panascia on upright bass and Roggerio Boccato on a scaled-down percussion kit, Mazza
My feature article on Michael Feinstein, in the December 2011 print issue of JazzTimes, is now online.
Happy New Year! To start us off, my monthly list of recommended CDs, as published in The New York City Jazz Record, January 2012: Dan Blake, The Aquarian Suite (BJU) Taylor Ho Bynum Sextet, Apparent Distance (Firehouse 12) Emmet Cohen, In the Element (Bada Beep) Dave Douglas & So Percussion, Bad Mango (Greenleaf) Adam Rudolph’s Go:Organic Orchestra, The Sound of a
The JJA has started posting Best-Of lists for the year 2011 — my entry here.
Inevitably, a firestorm erupted on Twitter and Facebook after trumpeter Nicholas Payton published this post, titled “On Why Jazz Isn’t Cool Anymore.” And then this follow-up, “An Open Letter To My Dissenters.” In the second post Payton writes, “‘Jazz’ is an oppressive colonialist slave term and I want no parts [sic] of it.” This sounds similar to Fred Ho’s assessment:
In the December 2011 issue of The New York City Jazz Record: — There was much to digest while watching Darcy James Argue’s Secret Society perform “Brooklyn Babylon,” an hourlong work programmed by BAM’s Next Wave Festival (Nov. 10). Danijel Zezelj, standing on a catwalk, painted haunting images in black and red, using a small roller on a wide and narrow canvas as
My monthly list of recommended CDs, as published in The New York City Jazz Record, December 2011: Rez Abbasi’s Invocation, Suno Suno (Enja) Greg Burk Trio, The Path Here (482 Music) Michael Cain, Solo (Native Drum) Kevin Hays, Variations (Pirouet) Dan Tepfer, Goldberg Variations/Variations (Sunnyside) Anthony Wilson, Seasons: Live at the Metropolitan Museum of Art (Goat Hill)
In recent print issues of Stereophile magazine, my reviews of Ben Allison’s Action-Refraction and Sonny Rollins’s Road Shows, Vol. 2.