In the July 2010 issue of All About Jazz-New York: — When Dave Douglas and Keystone played (Le) Poisson Rouge in the prime 8:20 p.m. slot of the Undead Jazzfest (June 12), DJ Olive was not there to provide his sonic trickery, which has done much to define the group since its 2005 inception. But Adam Benjamin’s heavily tweaked Fender
My monthly list of recommended CDs, as published in All About Jazz-New York, July 2010: Steve Coleman and Five Elements, Harvesting Semblances of Infinity (Pi) Alan Ferber, Chamber Songs: Music for Nonet and Strings (Sunnyside) Eric Hofbauer, American Fear! (Creative Nation) Ideal Bread, Transmit: Volume 2 of The Music of Steve Lacy (Cuneiform) Alex Machacek, 24 Tales (Abstract Logix) David Weiss &
I’ve opened what I hope might be a productive tweet-ologue with jazz critic Will Layman about this piece, with the provocative headline: “Jazz Ain’t Dead, But Charlie Parker Is — So Let’s Move On, Shall We?” Which seems to rest on the assumption that jazz hasn’t moved on since Charlie Parker. And that’s not what Layman ends up arguing, so it’s
Rich Siegel, who is partnering with Gilad Atzmon as described in my previous post, has written me a terse reply. He says that the Atzmon quotes I cite “do not constitute racism or holocaust revisionism. I suggest you read them again.” Michael Ezra, in the Z Word comments space, has also referred me to this piece of writing, in which Rich
[Cross-posted at Z Word, and at Harry’s Place.] The bloggers of Mondoweiss have worked very hard to convince the public that antisemitism does not exist among the Palestine solidarity movement — indeed, that all such charges of antisemitism are mere subterfuge concocted by “Zionists” to tar critics of Israel, who are by definition pure of heart. So it’s important to
In case you missed the last one… Walter Smith III, Live in Paris (Space Time) Daniel Humair/Tony Malaby/Bruno Chevillon, Pas de Dense (Zig Zag) Geri Allen & Timeline, Live (Motéma) Keith DeStefano & Puzzlebox, A Place to Be (ind.) Lee Konitz/Chris Cheek/Stephane Furic Leibovici, Jugendstil II (ESP-Disk) Marilyn Crispell & David Rothenberg, One Night I Left My Silent House (ECM)
In the new Philadelphia Weekly: Tim Berne’s Los Totopos Thu., June 24, 8pm. $12. Philadelphia Art Alliance, 251 S. 18th St. 215.545.4302 www.arsnovaworkshop.org For the last 30 years, alto saxophonist Tim Berne has developed a singularly challenging body of work for a host of different lineups (Bloodcount, Caos Totale, Big Satan, more). He recently struck up a creative rapport with
Tom Spiker’s Mobile Pleasure Lounge Wed., June 16, 9:30pm. $5. With Rafiq Bhatia Collective, Test Kitchen. Tritone, 1508 South St. 215.545.0475 www.tritonebar.com Guitarist and multi-instrumentalist Tom Spiker is a Wilmington native and Philly resident since 2000, a close associate of experimental groove-jazz stalwarts (and Ornette Coleman alums) Jamaaladeen Tacuma and G. Calvin Weston. His Mobile Pleasure Lounge, an adventure in