New York at Night
New York @ Night: May 2013
From the May 2013 issue of The New York City Jazz Record: — When trumpeter Wadada Leo Smith and pianist Angelica Sanchez played duo at Greenwich House Music School (April 6), there were zones of deep concentration and silence, but also an outburst or two from car horns on the small West Village street just outside. Smith’s horn, too, shattered the
New York @ Night: April 2013
From the April 2013 issue of The New York City Jazz Record: — It’s clear right away that pianist Fred Hersch’s “My Coma Dreams” is not a typical concert experience. Hersch premiered the “jazz theater” piece in New Jersey in 2011; the new production at Columbia University’s Miller Theatre (March 2) was altered but substantially similar. Narrator-vocalist Michael Winther portrayed both
New York @ Night: March 2013
From the March 2013 issue of The New York City Jazz Record: — It can’t be easy to say the words “2013 could be my last year.” But that’s what the audience heard when Fred Ho’s Green Monster Big Band performed at Ginny’s Supper Club in Harlem (Feb. 9). Ho seemed in good spirits and conducted the band with vigor, but
New York @ Night: February 2013
From the February 2013 issue of The New York City Jazz Record: — Having endured as a working band for nearly a decade and a half, The Bad Plus doesn’t lack for material. The first Sunday set at the Village Vanguard (Jan. 6) featured pieces from the trio’s latest Made Possible but also others stretching back to Give (2004) and
New York @ Night: January 2013
Happy New Year again! From the January 2013 issue of The New York City Jazz Record: — As a student of Lennie Tristano and a noted colleague of Lee Konitz and Warne Marsh, tenor saxophonist Ted Brown provides a living link to the Tristano school — an intriguing area in jazz history, somewhere in the interstices between bop and “cool.”
New York @ Night: December 2012
From the December 2012 issue of The New York City Jazz Record. — Trumpeter Jeremy Pelt’s quintet, arguably one of the strongest working bands in jazz, has held together long enough to record four albums: November, Men of Honor, The Talented Mr. Pelt and this year’s Soul. There were new faces onstage, however, when Pelt arrived for a special birthday
New York @ Night: November 2012
From the November 2012 issue of The New York City Jazz Record. — An announcer at Town Hall (Oct. 12) erred when he introduced the night’s marquee act as the Pat Metheny Group. It was in fact the Pat Metheny Unity Band, with Chris Potter on reeds, Ben Williams on upright bass and Antonio Sanchez on drums. Winding down a
New York @ Night: August 2012
From the August 2012 issue of The New York City Jazz Record. — Just when you’re expecting an hour of solo electric guitar at Bar 4 (July 2), leave it to Mike Gamble to get behind a drum set. The multi-talented Gamble began on guitar, however, filling the small space with a rough solid-body tone that has earned him gigs with