Details are shaping up nicely for the Jazz Awards on June 11th – Randy Weston, Wallace Roney and other top players are set to perform. Plus a special slate of “Jazz Heroes” awards. View the nominees and get your tickets!
My review [pdf] of A Little House, Angelica Sanchez’s marvelous solo piano disc, is in the May 2011 issue of Stereophile. Here’s an older one [pdf], from the June 2010 Stereophile — a tandem review of Oblivia and To Fly To Steal, by Mark Feldman and Sylvie Courvoisier. Took a little while to get my hands on that issue.
From the May 2011 issue of The New York City Jazz Record: — Pianist Dan Tepfer has absorbed untold wisdom through his many duo engagements with alto great Lee Konitz, but at Cornelia Street Café (April 9th) it was time for the young Tepfer to face another giant, bassist Gary Peacock. (Konitz was on hand to hear it.) “I’ll Remember April”
I have an article in the jazz issue of City Arts, on the topic of maintaining careers in jazz and improvised music. My focus? Taylor Ho Bynum, Steve Lehman and Matana Roberts. Other worthy contributions in this issue from Ernest Barteldes, Kurt Gottschalk, Emilie Pons and section editor Howard Mandel.
My monthly list of recommended CDs, as published in The New York City Jazz Record, May 2011: Ben Allison, Action-Refraction (Palmetto) Brian Carpenter’s Ghost Train Orchestra, Hothouse Stomp (Accurate) Joe Fiedler Trio, Sacred Chrome Orb (Yellow Sound) Peter Paulsen Quintet, Goes Without Saying… (SquarePegWorks) Ralph Peterson’s Unity Project, Outer Reaches (Onyx) Kenny Werner, Balloons (Half Note)
In case you missed the last one… Art Hirahara, Noble Path (Posi-Tone) Arturo O’Farrill & The Afro-Latin Jazz Orchestra, 40 Acres and a Burro (Zoho) Brandon Seabrook, Seabrook Power Plant II (Loyal Label) Shane Endsley and the Music Band, Then the Other (Low Electrical) Skuli Sverrisson, Sería II (Sería) Harriet Tubman, Ascension (Sunnyside)
This review appears in the April 2011 issue of The New York City Jazz Record: — Avishai Cohen Introducing Triveni (Anzic) By David R. Adler It’s hard to avoid the word “authenticity” when describing the raw, bone-deep sense of swing that permeates Introducing Triveni, easily one of the top jazz recordings of 2010. Trumpeter Avishai Cohen, bassist Omer Avital and drummer
This review appears in the April 2011 issue of The New York City Jazz Record: — Anthony Wilson Campo Belo (Goat Hill) By David R. Adler In frequent visits to Brazil since 2005, guitarist Anthony Wilson laid the groundwork and nourished the alliances that led to the marvelous Campo Belo, featuring André Mehmari on piano, Guto Wirtti on bass and