My writeup of the “Guitar Heroes” exhibit at the Metropolitan Museum of Art, in the new issue of JazzTimes (May 2011). I’m happy to report that Anthony Wilson’s April 10 premiere — with Julian Lage, Steve Cardenas and Chico Pinheiro — was completely amazing. There’s a live album in the works.
In case you missed the last one… Art Hirahara, Noble Path (Posi-Tone) Arturo O’Farrill & The Afro-Latin Jazz Orchestra, 40 Acres and a Burro (Zoho) Brandon Seabrook, Seabrook Power Plant II (Loyal Label) Shane Endsley and the Music Band, Then the Other (Low Electrical) Skuli Sverrisson, Sería II (Sería) Harriet Tubman, Ascension (Sunnyside)
In my inbox is a notice from World Village-Harmonia Mundi: Saxophonist Gilad Atzmon “makes a rare appearance in New York City beginning May 5th and is available for interviews.” Oddly I see no gig schedule listed. In any case I won’t be interviewing Atzmon during his visit, because I’m too busy interviewing musicians who don’t claim that the Jews provoked
In case you missed the last one… Tim Berne, Insomnia (Clean Feed) Soren Moller, Christian X Variations (Audial) Diego Urcola, Appreciation (CAM Jazz) Ohad Talmor, Newsreel (Auand) Marcin Wasilewski Trio, Faithful (ECM) Vinnie Sperrazza/Jacob Sacks/Masa Kamaguchi, Barcelona Holiday (Fresh Sound)
In the new Philadelphia Weekly: Martial Solal Sat., Apr. 9, 8pm. $32-$38. Kimmel Center, 260 South Broad St. 215.731.3333 www.kimmelcenter.org There are only three pianists who’ve had the honor of playing solo for a week at the Village Vanguard: Fred Hersch, Cecil Taylor and 83-year-old Algerian-born Frenchman Martial Solal. With a firm attack, dazzling chops and whimsical but unfailingly logical
This review appears in the April 2011 issue of The New York City Jazz Record: — Avishai Cohen Introducing Triveni (Anzic) By David R. Adler It’s hard to avoid the word “authenticity” when describing the raw, bone-deep sense of swing that permeates Introducing Triveni, easily one of the top jazz recordings of 2010. Trumpeter Avishai Cohen, bassist Omer Avital and drummer
This review appears in the April 2011 issue of The New York City Jazz Record: — Anthony Wilson Campo Belo (Goat Hill) By David R. Adler In frequent visits to Brazil since 2005, guitarist Anthony Wilson laid the groundwork and nourished the alliances that led to the marvelous Campo Belo, featuring André Mehmari on piano, Guto Wirtti on bass and
My Overdue Ovation column on bassist Kermit Driscoll, in the April 2011 issue of JazzTimes.