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Six Picks: March 2011
My monthly list of recommended CDs, as published in The New York City Jazz Record (formerly All About Jazz-New York), March 2011: David Cook, Pathway (BJU) Carlo De Rosa’s Cross-Fade, Brain Dance (Cuneiform) David Liebman Trio, Lieb Plays the Blues A La Trane (Challenge) Joe Lovano, Bird Songs (Blue Note) Daniel Peterson’s Truth & Consequence, October (ind.) Eric Reed, The Dancing
The week on disc (87)
In case you missed the last one… Ben Kono, Crossing (19/8) Chris Parrello, Things I Wonder (Popopomo) Robert Piket, Sides, Colors (Thirteenth Note) Jason Stein’s Locksmith Isidore, Three Kinds of Happiness (Not Two) Billy Fox’s Blackbirds & Bullets, Dulces (Clean Feed) Ken Filiano’s Quantum Entanglements, Dreams from a Clown Car (Clean Feed)
Benjamin Barber’s prescience
Political theorist Benjamin Barber (pictured, right) has been shilling for the Libyan regime for a number of years. On February 1 his article “No Democratic Dominoes in the Middle East” was published by HuffPo. It contained the following insight: Qadaffi himself is not detested in the way that Mubarak has been detested and rules by means other than fear. His
Nir Rosen, major war monger
After critiquing Nir Rosen’s shoddy excuse-making for terrorism in January 2009, I paid only slight attention to his work. But on the occasions when I stumbled onto his Twitter feed, I actually had to stop and wonder whether someone had hacked his account. The opinions were so extreme, so loutish, so flagrantly unprofessional, so obviously unbecoming of a Fellow at
Bern Nix in Philly
A short preview in the new Philadelphia Weekly.
The week on disc (86)
In case you missed the last one… Marty Ehrlich, Fables (Tzadik) Donny McCaslin, Perpetual Motion (Greenleaf) Dymaxion Quartet, Sympathetic Vibrations (ind.) Jin Hi Kim & Gerry Hemingway, Pulses (Auricle) Tigran, A Fable (Verve/Universal) Robert Hurst, Unrehurst, Volume 2 (Bebob)
Randy Sandke and the critics, continued
Soon after my first post on Randy Sandke’s book Where the Dark and the Light Folks Meet, Ethan Iverson posted a far more detailed two-part critique (here and here) at Do the Math. As always with Ethan, it’s a must-read. He’s also announced that he’ll be publishing a guest post by Sandke in reply. At the risk of spending too
On Shauli Einav
This review appears in the February 2011 issue of All About Jazz-New York. [Note: As of the March 2011 issue, AAJ-NY will be known as The New York City Jazz Record. Details here.] — Shauli Einav, Opus One (Plus Loin) By David R. Adler It’s clear that Israeli-born saxophonist Shauli Einav is capable of “blowing his face off,” as pianist